Featured Tasting and Interview: Moss Wood, Margaret River
Summergate arranged for a media tasting with Keith and Clare Mugford of Margaret River producer Moss Wood. Moss Wood is well known as one of the region’s top wineries, an obvious rival to the likes of Leeuwin Estate. The quality of the wines here (see tasting notes below) is very high and the wine making impeccable. Margaret River overall is known for a host of strong producers and some of Australia’s most elegant wines. But the purity of fruit achieved in the two different Moss Wood Cabernets we tasted was particularly impressive.

The Moss Wood vineyard in Wilyabrup is given over to various varieties including Cabernet Sauvignon (5.43 hectares), Semillon (1.83 hectares), Pinot Noir (1.55 hectares), Chardonnay (2.17 hectares), Cabernet Franc (0.29 hectares), Merlot (0.03 hectares) and Petit Verdot (0.48 hectares). But grapes are also sourced from the Ribbon Vale vineyard (acquired by Moss Wood in 2000) and the Glenmore, Montgomery, Lefroy Brook and Green Valley sites; which enable the Mugfords to acquire grapes from significantly different areas in the wider Margaret River region.

The Moss Wood vineyard itself provides the fruit for the range of the same name: which includes a Chardonnay, two Semillons (one unoaked, one oaked), two Cabernet Sauvignons (one of which is termed ‘Special Reserve’ and is only made in certain vintages), a Pinot Noir (which has quite a following – the Mugfords themselves being great lovers of this grape) and also a ‘Port style’ wine (labelled ‘Vintage Port’). This last wine cannot be released in the European Union because of the protection of the Portuguese Port; but China would be no problem! However, Keith Mugford is amusingly candid about not wanting to pursue life as a fortified winemaker.

The Glenmore and Montgomery sites provide the grapes for the Amy’s Cabernet Sauvignon (see below), whilst a different Chardonnay and Pinot Noir are made from Lefroy Brook fruit (Green Valley providing yet another terroir-driven Chardonnay). Other wines are also made from fruit sourced in Pemberton and Palandri.

On their first visit to Beijing (en route to Shanghai and Guangzhou), Keith and Clare Mugford spoke passionately about the Margaret River as well as the innovations they have overseen at Moss Wood. Keith Mugford was a fount of wisdom concerning the care and attention that goes into their work in both the vineyards and cellar. Both suggested that, although the Margaret River region may expand, quality should be maintained provided wineries keep up the hard work and dedication that began in the 1960s with pioneers like Dr Bill Pannell who identified Moss Wood’s location as being ideal for premium wine production.

We tasted:

2005 Moss Wood Amy’s Cabernet Sauvignon

Appearance: medium-purple red, clear rim.

Nose: very pure blackcurrant and slight blueberry fruit with some dark red fruits too. Delicate use of oak here.

Palate: lovely ripe fruit, but this is also restrained in style. Refreshing medium acidity, ripe slightly chewy medium tannins and impressive length. Alcohol is high, but fully integrated.

Conclusion: 85% Cabernet Sauvignon and the rest 5% allocations of Merlot, Malbec and Petit Verdot, this is clearly a very good vintage. The wine experienced less skin-contact than the Moss Wood Cabernets (see below). The idea is to express fruit purity and display only moderate tannins. Spends 14 months in French oak, only 25% of which is new (which would explain why the oak is moderate here and a good savoury background to the strong fruit). Very good, even if it is intended as quasi-baby brother to the Moss Wood Cabernet.

Rating: 18/20

2004 Moss Wood Cabernet Sauvignon

Appearance: deepish purple-red, clear rim.

Nose: very pure dark fruits (blackcurrant, black plum), restrained integrated oak, some spicy notes. Youthful, but approachable.

Palate: excellent ripe fruit, medium-high chewy tannins, integrated medium acidity and balanced high alcohol. Very good length.

Conclusion: not precisely sure of the blend here, but the wine is kept for over a year in barrel. Actually, the 2004 was kept in three separate samples under oak and then blended after 12 months before spending slightly longer in barrel (this gave the Mugfords time to see the evolution of the different samples). Spent up to 14 days on the skins after fermentation. Although a year in which temperatures rose steeply right before harvest, this wine had no cooked or over-ripe aromas. Very, very good.

Rating: 18.5/20

During the tasting, we spoke about the ‘discount-image’ Australia has until recently had, particularly in the UK (Australia’s largest market) where supermarkets have commanded bulk supply at reduced rates to producer and consumer. The Mugfords felt that the recent drought in Australia will mean that both water prices and the prices of grapes will shoot up and that Australia may well benefit from not being able to provide international markets with a surplus of wine.

Increasingly, of course, top Australian winemakers are stressing the uniqueness of their individual vineyard sites and the uniqueness of the wines they produce, re-dressing the French concept of terroir in Australian clothes. The Mugfords are unashamedly no exception and spoke in detail about their different vineyards as well as the complex effects of sea-breezes on much of Western Australia.

Theirs is essentially a Burgundian approach, at least for their Pinot Noir; whilst their Cabernet-blends have the ripeness the Bordelais would die for, but in Australia achieving phenolic ripeness can occur only after your grapes risk having too much natural sugar (at least at too high sugar levels if you want to make wines of moderate alcohol). This doesn’t matter in the case of Moss Wood, however, because Keith Mugford (also a consultant winemaker to other properties) has found a way of producing 14.5% Cabernets that don’t knock your head off. These are fantastic wines.

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Featured Tasting: Leeuwin Estate
ASC had Denis Horgan of Leeuwin Estate, the famous Margaret River producer, in town. Journalists met at the Blu Lobster restaurant in Beijing’s other Shangri-La hotel. Leeuwin Estate has three quality levels or categories: the Siblings range is entry level, the Prelude Vineyards is the mid-range and the Art Series wines are the well-known highest quality tier.

Horgan’s first visit to China was in 1976 and he has been returning repeatedly, particularly in the last seven years when his wines have been available in mainland China. Leeuwin Estate itself was set up in 1973, when a nursery was first planted. Horgan had cottoned on to wine following the interest of Robert Mondavi who had inquired about land Horgan owned in the Margaret River. Mondavi even went to Horgan’s lawyer (who dutifully informed Horgan). Mondavi and Horgan then met over a bottle and Mondavi became a kind of ‘mentor’, as Horgan happily confesses. In 1974 the first vines were planted and the estate now operates some 370 acres. This is the kind of maximum size at which Horgan is happy to maintain quantity and, moreover, quality.

Horgan pointed out that it was always the mission of Leeuwin Estate to think internationally and to produce consistently excellent wines that would appeal to an international audience. He summed up this mission succinctly: ‘To produce wines that rank among the best in the world’. Back in the mid-1970s Western Australia was not just isolated geographically: Leeuwin Estate was the pioneer in wine production in the region as well as being at the forefront of developing wine-and-food matching (hence the early creation of its restaurant).

The Art Series wines – inspired in part by the example of Château Mouton-Rothschild with its labels created by famous artists – began with the commissioning of local artists; and, in some cases, the collaboration has since made the names of various Australian artists. The first Art Series wine was the 1980 Chardonnay. Since that time, Horgan has also attracted musicians and other artists to the estate: open-air concerts are a frequent feature and some 200,000 people now visit the winery each year.

Thankfully, as wine quality is so high, no one can claim that the estate’s wider cultural activities are there to fill a gap. Quality is paramount and Horgan explained how, originally, his Shiraz vines were planted in the wrong soils – where the Sauvignon Blanc is now planted – describing how he replanted his Shiraz vineyards in the right soil with the right kind of exposure for the style of wine he has always wanted to make.

We then tasted the current Art Series releases (some wines are held back and aged before being released to the market):

2006 Leeuwin Estate Art Series Sauvignon Blanc

Appearance: medium green colour.

Nose: lovely mineral nose with ripe but not too aromatic fruit: gooseberry, guava predominant.

Palate: very good acidity, lovely fruit with more mineral notes and impressive length.

Conclusion: lovely Sauvignon Blanc with the kind of ripeness they would envy in Sancerre but without the overblown characters of some heavier New World Sauvignons. Elegant.

Rating: 18/20

2004 Leeuwin Estate Art Series Riesling

Appearance: medium green-gold.

Nose: lime fruit, floral, lots of minerality (stony notes).

Palate: restrained lime fruit, mineral and savoury flavours, excellent acidity and lovely length.

Conclusion: under screw-cap – in fact Horgan aims to convert to screw-caps for all of his wines in the future – and a lovely example of Australian Riesling in a more mineral and more floral style, perhaps, than most Australian Rieslings, particularly generic wines from the Clare and Eden Valleys. No kerosene aromas on this Riesling yet.

Rating: 18.5/20

2003 Leeuwin Estate Art Series Chardonnay

Appearance: Medium to deepish gold.

Nose: ‘full-on’, developed nose with butter aromas, restrained pineapple fruit, balanced non-intrusive oak.

Palate: good acidity here, minerality, powerful but still restrained pineapple fruit. Excellent length.

Conclusion: interestingly, the acidic grip here is due to the fact that the wine does not go through malolactic fermentation. It receives some 11 months in 100% new French oak, but there is such fruit ripeness that the oak does not really stand out – there’s also obviously been some ageing here. The wine is also aged for a further two years before it leaves Leeuwin Estate; so it is already showing some development, although will age well for some time to come. Lovely to drink now, however! I noted it tasted a bit like a richer and riper version of a Meursault because there was some fatness and plush fruit but with good acidity and impressive minerality.

Rating: 18.5/20

2004 Leeuwin Estate Art Series Shiraz

Appearance: dark purple, clear rim.

Nose: immediate pepper, black cherry and blueberry nose with slight tea-tree oil (sometimes a quality of high-end Australian Shiraz), good oak.

Palate: fantastic palate, elegant; very good acidity, beautiful medium chewy tannins, very integrated oak, wonderful fruit flavours with more of the pepper quality that survives in Syrah/Shiraz only in ‘cooler’ climates (it tends to dissipate when the grape experiences warmer conditions). Very good length.

Conclusion: very, very good cool climate Shiraz. Horgan does not actually put his range into wine shows probably for fear that his elegant and sophisticated wines will not stand out alongside hefty Australian Shirazes or Cabernets or any other grapes made in warmer, bigger styles.

Rating: 19/20

2002 Leeuwin Estate Art Series Cabernet Sauvignon

Appearance: black colour with an orange rim.

Nose: crushed blackcurrant, cedar, pine, French oak, still quite youthful.

Palate: excellent acidity, ripe lovely tannins, strong fruit with more cedar and pine aromas. None of the leathery notes of aged Cabernet, but certainly showing some development if still young.

Conclusion: obviously very high quality. Not quite as exciting as the Shiraz, in my book, but a lot of people will like this wine. It is 85% Cabernet Sauvignon with probably either Merlot and/or Cabernet Franc thrown in to fill out the hole in the middle palate Cabernet Sauvignon usually brings.

Rating: 18.5/20

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Featured Tasting: 'Wines for Summer Drinking' Oxford & Cambridge Club Beijing, Part II
2006 Norton ‘Lo Tengo’ Torrontes, Mendoza, Argentina

Appearance: gold with orange tints.

Nose: distinctive Torrontes nose of lychee and mango, but not really the rose-petal or gingerbread quality of Gewurztraminer (nor the orange blossom aspect of Muscat). Torrontes is apparently related to Muscat, but it remains an Argentinian thing really.

Palate: palate was rich with strong tropical fruit, distinctive bitterness and even slightly salty in taste with low acidity, highish alcohol and some length. More pleasant on the nose than palate.

Conclusion: fascinating to taste, but we're not sure we'd want to drink a whole bottle. A good deal at 88RMB, however (from ASC).

Rating: 15.5/20

2004 Moscato d’Asti, Castello del Poggio, Piemonte, Italy

Appearance: characteristic cheerful green colour with orange tints and some sparkle.

Nose: pleasant Moscato nose of highly aromatic grapes. It certainly has not deteriorated into that geranium smell you get on oxidized Moscato d’Asti.

Palate: good fruit, refreshing acidity and balanced medium-high residual sugar.

Conclusion: we were concerned that the bottle-age – which is desirable only in very high-quality Moscato d’Asti wines – might be a problem here, but the wine had held up very well. Good and well-priced for the Beijing market at 134RMB from Palette Vino.

Rating: 16.5/20

2006 Indis Shiraz Rosé, Great Southern, Western Australia

Appearance: purple-pink.

Nose: strong strawberry and red cherry fruit on the nose and even some spice (white pepper?).

Palate: decent palate showing the same strong red fruit qualities, nice acidity and not too high alcohol (weighs in at 12.5%).

Conclusion: A real find from the Beijing wine club Big 9. Indis wines are under the flag of Forest Hill, a really good Western Australian producer. Well-priced at 165RMB.

Rating: 17/20

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2005 Alkoomi Semillon Sauvignon, Frankland River, Western Australia
2005 Alkoomi Semillon Sauvignon, Frankland River, Western Australia

Appearance: medium green gold colour.

Nose: pleasant nose of lemon and slight gooseberry fruit (aromas showing Semillon and Sauvignon Blanc respectively). No discernible oak here, although it did have the slightly nutty and toasty aroma of ageing Semillon that can easily be confused with oak.

Palate: lovely fruit with good acidity and some nice length here.

Conclusion: Alkoomi is always a good thing, but this was a particularly pleasant bottle which stood up well over three days' sampling.

Rating: 17.5/20

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