Here are the rest of the wines from the Antinori tasting organized by Summergate and hosted by the Italian Ambassador, Mrs Riccardo Sessa and Alessia Antinori. Wines were available from Umbria and Tuscany, the original Antinori home (see separate posting for the three whites on show and the Umbrian and Tuscan wines we tasted) as well as Piemonte (Prunotto) and Puglia (Tormaresca), both also under Antinori control.

2005 Dolcetto d’Alba, Prunotto

Appearance: deepish purple colour, clear rim.

Nose: lots of red and black cherry but with noticeable almond nose and some white pepper. No oak.

Palate: chewy medium tannins (well managed here for Dolcetto!), medium-high refreshing acidity, lovely fruit and impressive length. Alcohol is well-balanced too.

Conclusion: a lovely example of Dolcetto from a strong vintage. Retail 203RMB.

Rating: 18/20

2005 Barbera d’Asti ‘Fiulot’ Vineyard, Prunotto

Appearance: medium red-purple, clear rim.

Nose: light red cherry nose with some stalky fruit. Some other savoury smells, but no oak.

Palate: bright fruit, nice acidity, and moderate spiky tannins. Quite good length.

Conclusion: medium-range Barbera in a light style. Well-made. Retail 179RMB.

Rating: 17/20

2000 Barbera d’Asti ‘Costamiole’ Vineyard, Prunotto

Appearance: dark purple-red, slight orange rim.

Nose: complex nose with intense black cherry fruit and several different savoury aromas including herbs (rosemary, oregano). Some of the spice here must be traceable to oak.

Palate: very ripe chewy tannins, great acidity and fantastic complexity of fruit and oak. Well-balanced throughout.

Conclusion: part of the Prunotto 'Cru' range and a superb Barbera! The wine does actually spend 12 months in barriques and is then aged for a year in bottle before release. Retail 660RMB.

Rating: 18.5/20

2001 Barolo ‘Bussia’ Vineyard, Prunotto

Appearance: medium to dark purple-red, slight orange rim.

Nose: immensely perfumed Nebbiolo with a mixture of black cherry and redcurrant fruit, peppermint and florality (although what flowers we couldn’t tell you!). Oak is well-integrated here as the grape variety is allowed to sing.

Palate: seems tighter in flavour on the palate (this is not a function of the gripping tannins as such). Very good length, however.

Conclusion: obviously high-class Barolo from a really good year that has an impressive life ahead. The 'Bussia' vineyard is in Monforte. The wine is aged in large French oak barrels, then in smaller barriques before being aged for a further year in bottle. Approx. 839RMB retail.

Rating: 18.5/20 [might be higher with time]

The Puglian reds from Tormaresca:

2004 Rosso Puglia IGT, Tormaresca

Appearance: medium red, clear rim.

Nose: attractive red and black cherry fruit, ‘warm’ and quite alcoholic on the nose. ‘Rustic’ in a good sense.

Palate: chewy and spiky medium tannins, refreshing acidity, pleasant fruit, quite good length.

Conclusion: 70% Negroamaro and 30% Cabernet Sauvignon, this is an attractive blend for everyday drinking. Retail 167RMB.

Rating: 16.5/20

2003 ‘Masseria Maime’ Salento IGT, Tormaresca

Appearance: medium purple-red, clear rim.

Nose: ‘crushed berries’ with leathery notes, also savoury and, again, ‘rustic’, although that needs qualifying. There’s an alcoholic quality to the nose, probably helped by the 2003 heat. This is attractive though.

Palate: nice ripe tannins, pleasant fruit, decent acidity and a good overall balance despite the ‘warm’ alcohol nose. Good length.

Conclusion: 100% Negroamaro and very drinkable. Impressive. Retail 419RMB.

Rating: 17.5/20

Labels: 2000, 2001, 2004, 2005, Antinori, Barbera d'Asti, Barolo, Dolcetto, Negroamaro, Prunotto, Puglia, Salento, Summergate, Tormaresca

Gaia Gaja of famed Piemonte producer Angelo Gaja came to Beijing for a book-signing (at the Hilton Food & Wine Experience) and a special dinner arranged with importer ASC. She kindly consented to an email interview arranged around her busy schedule. Dragon Phoenix (hereafter DP) is very grateful to Gaia Gaja (hereafter GG) for her time and effort. With luck, she will be back in China in 2008.

DP: You recently visited Beijing to show-case your wines. What is your perception of the market for fine wines in China?

GG: The Chinese market is certainly one of the future, as China is a factor in all things: because of its growth and the increasing acquisition of wealth. Fine wine will undoubtedly be part of this expansion.

DP: How would you say Piemonte wines specifically are appreciated in China? Or is it too early for the market to understand the complexity of the Piemonte region?

GG: I believe our wines are accepted equally in China; just as all other fine wines in the world are. Their complexity is an added value which, with time, will be more and more appreciated.

DP: Your company has a number of business interests: including Gaja distribution, the Castello di Barbaresco as well as wine estates not just in Piemonte but also in Tuscany. How would you say your business experience has helped in establishing new markets for your wines in China and Asia as a whole?

GG: My mother has a little distribution company importing foreign wines to Italy (this is a business that concerns Italy alone). As to the Castello di Barbaresco, you are talking about the castle of Barbaresco which we bought in 1995 and restored. We were thinking of transforming it into a hotel but, in the end, we decided to keep it for the winery – so now there are offices and tasting rooms. So, we just make wine really. This is the only thing we know how to do and we will continue doing it just so.

We produce wine in Piemonte, in Montacino and in Bolgheri, as you know. The three wineries are working with different varieties: Nebbiolo, Sangiovese (in Montalcino), Cabernet Sauvignon and Merlot (in Bolgheri). The three regions – what we call the ‘3 Bs’ of Italy, Barbaresco (and Barolo), Brunello and Bolgheri – are, in my opinion, the most prestigious in Italy. They provide the opportunity and real possibility of making long-ageing and complex wines. So, we have the same goal for the three wineries and the same style, but different expressions. The Chinese market can see the distinctive differences between these three wine regions with the distinctive Gaja flare in each case.

DP: Your family’s wine-making roots in Barbaresco date back to 1859 and Giovanni Gaja’s establishment of the winery. You have embraced both tradition and modern technology in your wine-making. How would you describe your company’s philosophy and outlook?

GG: My wines are easy recognizable in blind-tastings because they have a defined style that is obviously the style of our Barbaresco winery. The goal is to produce wines loyal to the area, and loyal to the history of the winery itself. To preserve their identity and dignity, we release them only in vintages when the weather conditions have allowed them to express all their beauties and to illustrate what Nebbiolo in Barbaresco can do.

The wines are, therefore, not produced every year. For example, our Piemonte winery did not produce any wine in 2002,1992,1984,1980 and 1972. The single vineyard wines (Costa Russi, Sori San Lorenzo, Sori Tildin, Sperss, Conteisa) were not even produced in 1994,1992 and in many other older vintages. Pieve Santa Restituta did not produce any wine in 2002 and in 2003; and Camarcanda was not produced in 2002 either.

To work like artisans, following every detail from the beginning to the end: this is our philosophy. We do not buy in grapes but only use what we produce from our estate vineyards which have been selected over several generations. We also personally select the wood for part of the barriques we use, and we are working on several other details in the winery too.

DP: Piemonte wines are very food-friendly. Do you believe your wines will pair well with different Chinese cuisines?

GG: I don’t know enough about Chinese food, but I had the pleasure to pair several of our wines with different Shanghai-ese dishes (which were more oily and generally sweeter to the taste than some of the other Chinese regional cuisines I’ve heard of). They paired extremely well.

DP: Angelo Gaja was the first wine-maker to use French barriques and introduce international grape varieties to the Langhe. How would you describe the difference between your ‘international’ wines and your Barbaresco DOCG or is there no difference in your wine-making philosophy for these wines?

GG: Even the international varieties that my father introduced and started to produce in Barbaresco (Cabernet Sauvignon, Sauvignon Blanc, Chardonnay) are producing wines (Darmagi, Alteni di Brassica and Gaia & Rey) that are very Piedmontese in their personality. The grape varieties are a vehicle to express the flavours of the place where they are grown. Piemonte wines reflect minerality, earthiness, and can have fabulous ageing potential where the aromas develop exquisitely. All of these characteristics are expressed in the Darmagi, Gaia & Rey and Alteni di Brassica wines.

DP: Some of your top Barbaresco wines – Sori Tildin, San Lorenzo, Costa Russi – and the Barolos, Sperss and Conteisa, are ‘de-classified’ to Langhe Nebbiolo DOC because this allows you to add up to 15% of other grapes. Do you find that blending helps tame some of the more difficult aspects of Nebbiolo, e.g. its sometimes harsh tannins? Or is there another reason for blending?

GG: My winery has produced Barbaresco since 1859. And this is why Barbaresco is the most representative wine from our winery. The single vineyard concept was introduced in the late 1960s (in 1967 we produced the first single vineyard Barbaresco: Sori San Lorenzo). Clearly, Gaja became well-known through this Barbaresco, the only wine of the winery for generations; and the reason behind the re-classification of the single vineyards was to go back to Barbaresco as the only Barbaresco of the winery.

When we changed the denomination for the single vineyards, we discovered the advantage of being able to add, if we wanted, other varieties. The variety we are most interested in adding (and from 1997 did so) is Barbera: a local variety with very good acidity, excellent fruit and not too much tannin. In warm vintages Barbera is useful because it gives the wine a certain drinkability whilst also aiding ageing-potential. It works very well with Nebbiolo.

DP: Do you think it is easier for consumers to understand international grapes – for example, you make straight a straight Chardonnay, Cabernet Sauvignon and a Sauvignon Blanc – than the complexities of Italy’s DOC and DOCG system? Or is the Piemonte region itself of more importance to you and your customers?

GG: I think that one important reason why the international varieties are more understandable is that they are more well-known than the DOCs or DOCGs. So people are more used to drinking them and knowing what to expect from them. These varieties are like an international language that everyone can, on some level, speak and understand.

In Italy we have such a large selection of local varieties, all produced in such tiny quantities and areas, that it becomes very difficult to know them well. They are very much niche products. The international varieties give the chance to wine lovers to compare the results of certain grapes coming from different wineries and from different parts of the world.

DP: Nicholas Belfrage MW has written about your pricing policy, observing that this ‘seems to be paying off handsomely, with international buyers willing to spend any sum for a top name’ (Barolo to Valpolicella: The Wines of Northern Italy, p. 86). Belfrage does not dispute the very high quality of your wines, but wonders about global prices in the fine wine market. Do you think that buyers will continue to pay ‘any sum’ for top wines?

GG: The markets are undeniably growing and the new increasing demand cannot be absorbed by the offer of certain wines alone (as some wines cannot be produced in sufficient quantities to meet the demand). At the same time the production of wine is growing all over the world as well as the quality level (more countries are producing wines of better quality). So, for sure, in the case of certain top wines the prices will inevitably continue to grow. Fortunately, though, there will also be a good offer of wines at more moderate prices.

DP: In China, wine education should improve the market for fine wines as consumers become more confident in purchasing. How do you hope to support the appreciation of your wines in the Chinese market(s)?

GG: I like to explain my wines personally (and be there to explain them in person). I like to meet the people that drink and talk about my wines; and to hear their questions. This is one of the pleasures of my work. I will continue to come to China, maybe more often than I have in the past, and continue to explain what my wines mean to me to the people I will have the pleasure to meet. This is central to my life and work.

Labels: Angelo Gaja, ASC, Barolo, Bolgheri, Brunello di Montalcino, Cabernet Sauvignon, China, Gaia Gaja, Interviews, Italy, Langhe, Merlot, Nebbiolo, Nicholas Belfrage, Piemonte, red, white

Before the Barolo Cerequio vertical, I interviewed Michele Chiarlo - see Interview: Michele Chiarlo brings Barolo to Beijing and Featured Tasting: Michele Chiarlo Barolo Cerequio - and then tasted a number of other Chiarlo wines:

2006 Gavi, Michele Chiarlo

Appearance: deepish green gold

Nose: lots of lemon, pear and apple fruit. Very clean on the nose.

Palate: lovely acidity, good fruit and refreshing length and finish.

Conclusion: a lovely expression of the Cortese grape and actually the most successful wine in Asia for the Chiarlo family. Good.

Rating: 17.5/20

2004 Barbaresco Asili, Michele Chiarlo

Appearance: medium purple-red, slightly orange rim.

Nose: extremely perfumed and very delicate showing red fruits and slight spice.

Palate: lovely acidity, moderate slightly grainy tannins, good fruit, and very ‘refreshing’ (not something usually said about Nebbiolo).

Conclusion: Barbaresco, unfairly, is seen as playing second fiddle to Barolo, but its wines can show very pure examples of Nebbiolo in a delicate style. Asili is a single vineyard, but not one I’ve had before (most of the single vineyard examples I’ve had from the Produttori del Barbaresco).

Rating: 18/20

2003 Barbera d’Asti La Court, Michele Chiarlo

Appearance: deepish purple-red colour, clear rim.

Nose: shows a lot of oak, even although the wine sees only 50% oak; but much would depend, of course, on what proportion of that is new oak and what happened in 2003 itself where very ripe fruit may have called for heftier oak. Has very attractive dark cherry fruit as well, however.

Palate: lots of alcohol here, but there’s good acidity, pleasant chewy tannins and impressive length.

Conclusion: obviously a very fine example of Barbera and a pleasure to drink now (with some modest ageing ability there too).

Rating: 18.5/20

1999 Barolo Riserva ‘Tortoniano’, Michele Chiarlo

Appearance: deep purple-red, orange rim.

Nose: elegant red cherry and redcurrant fruit, violets.

Palate: not too tannic, ripe, possesses lovely acidity and the tannins that are there are grainy and also ripe. Good length.

Conclusion: A lovely expression of a readily drinkable Barolo; ready now, but one that will also improve.

Rating: 18/20

Labels: 2003, 2004, 2006, Barbaresco, Barbera, Barbera d'Asti, Barolo, Chiarlo, Cortese, Featured Tastings, Gavi, Italy, Michele Chiarlo, Nebbiolo, Piemonte, red, white

Interview: Michele Chiarlo brings Barolo to Beijing

(see also Featured Tasting: The Wines of Michele Chiarlo including a vertical of his Barolo Cerequio)

I found Michele Chiarlo giving a class to the service staff of Aria restaurant. Afterwards we sat down and talked for an hour, joined by Giovanni Oliva (Asia Brand Manager for Grandi Vini d’Italia who represents Chiarlo in Asia) and ASC’s Cindy Jia. Chiarlo explained that his first visit to Beijing had been about 12 years ago and that his wines had been on the ASC list for some 8 years.

He likened the development of the Chinese market to that of the US or Japanese fine wine markets several years ago: with the exception that China is set to grow much more quickly in the early stages. He agreed that international wines will only make sense in this new market if they are paired with China’s many diverse cuisines and he recalled a successful wine-and-food matching dinner hosted by ASC in 2006 showing both Chiarlo’s wines and those of Umbrian producer Lungarotti; although he also confessed that it can be hard to make clear the virtues of Italian wines in general and Piemonte wines in particular to Chinese restaurant managers.

Chiarlo is from a family that has been working the Piemonte slopes for seven generations. They have vines in the Barolo, Calamandrana and Gavi zones (owning 50 hectares themselves with access to some 110 hectares overall). His son, Stefano, is currently the wine-maker working alongside oenologist Gianni Meleni. Michele himself has seen some 51 vintages, a tall, modestly dapper gentleman, equally modest in his conversation, but bursting with enthusiasm.

Chiarlo talked of the progress of the 2007 vintage: the weather was consistently mild throughout the year, although there was just enough rain when needed. Most of the grapes – even the fiendishly difficult Nebbiolo with its very long hang-time – achieved great phenolic ripeness. Average daily temperatures in August were around 30 degrees Celsius, with nightly temperatures of down to 14 degrees (ideal for preserving acidity). Whilst many of the wines will be impressive, Chiarlo was particularly excited about the Moscato harvest.

I asked about the developments he’d seen over his career in the vineyard and cellar. Chiarlo began green-harvesting about twenty years ago around 1984-5, following the innovations of Elio Altare, Angelo Gaja and Aldo Conterno. When pressed over the ‘traditionalist’ v. ‘modernist’ debate of the 1990s - basically, the choice between preserving traditional methods but making wines that are hard to drink young OR adopting new techniques to produce fruitier, softer wines for early drinking but ones which can lack varietal character – Chiarlo explained that producers had now learnt from both schools.

On Chiarlo's view old style wine-making can indeed keep varietal character but too many wines have tended to suffer from rough edges, unripeness and unruly acidity. New techniques such as ageing in French barriques (or adopting micro-oxygenation to make wines softer and more approachable) can obviously compromise varietal character and mask origin, but then the new attention to fermentation and what’s done in the cellar has reaped huge benefits. Most producers now have a composite approach.

Such observations have brought about changes in the Chiarlo cellar. Traditionally, Chiarlo used to macerate his Nebbiolos for about 35 days: now he opts for 15-16 days of skin contact to extract the best rather than the bitter tannins. But he still favours large barrels instead of barriques because of his desire to keep grape character and terroir intact.

Above all, Chiarlo wants wines of freshness, finesse and with enough concentration that they will express grape and vineyard/region exactly. He doesn’t want wines that will blow your head off or even ones that should be taken too earnestly. As he remarked: ‘drinking wine is not an exercise but a pleasure’. The question is, as Chiarlo then asked, ‘how much of a particular wine would you be happy to drink? One glass or more?’ This is the ultimate test of a wine’s appreciation.

Before the vertical tasting of his Barolo Cerequio, we turned to the characteristics of particular vintages and how Chiarlo decides on what to do each year. Generally speaking, Nebbiolo is not merely the last grape to be harvested: it also needs enough time in barrel before deciding what to do with it (age for longer in new oak or older wood, decide how much fining should be used, when to rack etc.).

Although, Barolo is famed for its longevity, Chiarlo insists that certain vintages have been hyped: although 2000 was a good year, for example, he would not agree with Wine Spectator’s 100 point award for the vintage (‘Perfection in Piemonte’ ran the header). Like many Piemonte producers, he prefers 2001. 1996, 1999 and 2001 are all high-quality Barolo years for the long haul. 2004 also looks to be very strong, but the excessive heat of 2003 will not, generally, give long-lived wines. The early 1990s were difficult with only 1993 pulling some weight in terms of quality and ageability; although many 1993s are essentially ready. The dreadful weather in 2002 also forced Chiarlo not to make any Barolo or Barbaresco, a difficult decision but an honest one. This integrity is reflected in the overall quality and purity of the Chiarlo range.

(see also Featured Tasting: The Wines of Michele Chiarlo including a vertical of his Barolo Cerequio)

Labels: 1993, 1996, 1999, 2001, 2002, 2003, 2004, ASC, Barbaresco, Barolo, Barolo Cerequio, Interviews, Michele Chiarlo, Moscato, Nebbiolo

1999 Barolo, Mauro Molino

Appearance: purple-pink, bricky rim.

Nose: a very Nebbiolo nose (red and black cherry fruit, spice, tar, rose petals, perfume), good use of oak.

Palate: lovely perfumed fruit; firm, spiky but also rounded tannins, excellent acidity, and commanding length.

Conclusion: absolutely stunning. This is a modernist wine showing great purity of fruit. In some ways I liked this wine even more than the more traditional G. D. Vajra 1999 Barolo enjoyed on 15th October 2005. But both are excellent wines.

Rating: 18.5/20

Labels: 1999, Barolo, Italy, Mauro Molino, Nebbiolo, Piemonte, red

1999 Barolo Bricco delle Viole, G. D. Vajra

Appearance: medium red-purple in colour, some orange to the rim.

Nose: red cherry fruit with marzipan, game stock (some rich meat/vegetal flavours at least) and floral notes; a little spice from the oak here too. Delicate.

Palate: mellowed, prickly medium tannins, high balanced acidity, highish alcohol, good use of oak and lovely spicy fruit. Excellent length.

Conclusion: very good indeed. Ready to drink but could improve. A wonderful expression of Barolo.

Rating: 18.5/20

Labels: 1999, Barolo, G. D. Vajra, Italy, Nebbiolo, Piemonte, red