Featured Tasting: Michele Chiarlo Barolo Cerequio and Other Wines
Barolo Cerequio, Michele Chiarlo, Vertical Tasting

Presenting his wines at Aria restaurant in a tasting organized by ASC, Michele Chiarlo revealed that the family owns some 6 hectares of the Cerequio vineyard or about 40% of the total (with the likes of Angelo Gaja, Roberto Voerzio and Aldo Conterno controlling the rest of the vineyard).

The yield is generally at 35 hl/ha. He affirmed the care taken in extracting the better tannins from Nebbiolo before the bitter tannins take over: something the grape can easily show in less carefully made examples. 33% of production is sold in Italy with the rest going overseas, principally to the US and UK.

2003 Barolo Cerequio, Michele Chiarlo

Appearance: deepish purple-red, orange rim.

Nose: Very ripe red cherry, some ‘heat’ from the alcohol here, but there are still Nebbiolo characters coming through with some tar aromas. Oak is not over-dominant and with most of these notes I’ve hardly talked about oak because it’s well-integrated and almost hidden as Nebbiolo takes over.

Palate: big fruit, tight and close but ripe tannins; has impressive acidity for such a difficult vintage, some almond character and also peppermint and clove.

Conclusion: a very good wine for such a demanding vintage. Sensibly, they did not de-leaf in this vintage knowing that the grapes hardly needed much exposure to the sun in the fierce 2003 heat. Good, but it will never be a great Barolo year, not even from this vineyard and this producer.

Rating: 17.5/20

2001 Barolo Cerequio, Michele Chiarlo

Appearance: Medium to medium-deep purple-red, orange rim.

Nose: toasty first nose, a lot more immediately perfumed than the 2003 with a gamey aroma and beautiful red fruits (cherry, redcurrants, even cranberry).

Palate: has ripe large grainy tannins, excellent acidity and considerable finesse. There’s a great balance here on the palate with delicacy, freshness and lovely length.

Conclusion: Very good. A lovely expression of Barolo in a fine year.

Rating: 18.5/20

2000 Barolo Cerequio, Michele Chiarlo

Appearance: Deep purple-red (deeper colour than the 2001 certainly), slightly orange rim.

Nose: More tar on the first nose than perfume. Lavish fruit: more black cherry here than the red fruits you’d normally expect from most Piemonte Nebbiolos (at least those that haven’t had a bit of Barbera added!).

Palate: tannins are ripe and chunky. Considerable black fruits, but there isn’t the staying power here of the 2001 and there’s a slight problem with the palate. It’s not that the wine is short in length: there’s a gap between the generosity of the nose and a palate that gives a little less.

Conclusion: the palate notes here sound overly critical; but I can see why Chiarlo himself has more time for his 2001. This won’t last as well as the 2001 and will be an attractive earlier drinker, still of impressive quality.

Rating: 18/20

1999 Barolo Cerequio, Michele Chiarlo

Appearance: Medium to medium-deep purple-red, orange rim (similar in colour to the 2001).

Nose: Very perfumed indeed – in that way that Nebbiolo at this level is indescribably perfumed, just like great Pinot Noir. Very concentrated ripe red fruits.

Palate: has the feel of ‘sweet’ fruit on the palate, excellent acidity and gripping, ‘angular’ tannins (whereas the tannins on the 2000 were chunky and chewy).

Conclusion: very, very good indeed and, along with the 1997 and 1990, probably my favourite (with the 2001 being a close contender).

Rating: 19/20

1998 Barolo Cerequio, Michele Chiarlo

Appearance: dark purple-red, orange rim (but orange rim is less extensive than that on the 1999).

Nose: has an immediate clove nose with tar, pepper and ripe cherry fruit.

Palate: tannins are chunky here and the palate is very much like the 2000 but with a better overall structure, i.e. the ripe cherry fruit is more integrated and there’s a better balance between fruit, tannin, acidity and alcohol.

Conclusion: very interesting to taste comparatively. Obviously similar to the 2000 in style, but better overall. Although the below rating is the same as the 2001, I think I prefer the 2001 to the 1998, at least in this tasting.

Rating: 18.5/20

1997 Barolo Cerequio, Michele Chiarlo

Appearance: Medium to dark purple-red (I know this sounds strange, but these wines are a real mix of colours and hues)

Nose: first nose has lots of violets, perfume and also rose petal. Throughout, there is the ‘sweet’, ripe red fruits of the 1999 vintage.

Palate: similar to the 1999 with ripe red fruits and perfume, but the tannins are bigger here. Excellent length.

Conclusion: the 1999 is more ‘delicate’ or lighter on the nose and palate than the 1997, but the 1997, with its relative burliness, might last longer. There are both wonderful vintages, however, and point-for-point, this and the 1990 were my top wines.

Rating: 19.5/20

1996 Barolo Cerequio, Michele Chiarlo

Appearance: dark purple core with a real spread of red to orange in the rim.

Nose: shows a very clove and tarry nose – like the 2000 and the 1998 – with concentrated, even closed, red and black cherry fruit.

Palate: fruit is riper and ‘sweeter’ on the palate than expected with very big, chunky tannins and good acidity.

Conclusion: this wine will need a lot of time. Could do 10-20 more years and may well be superb eventually.

Rating: 18.5/20 [but could be higher with further age]

1995 Barolo Cerequio, Michele Chiarlo

Appearance: deep purple-red, orange rim.

Nose: lots of peppermint, tar and perfume with a mixture of red and black cherry fruit.

Palate: has ‘dusty’ big fruit, hefty and chunky tannins, acidity that seems higher here than on other vintages (or is more noticeable).

Conclusion: obviously impressive, but not as conversation-stopping as some of the other wines. Still very good, however.

Rating: 18.5/20

1993 Barolo Cerequio, Michele Chiarlo

Appearance: deep purple-red, orange rim.

Nose: has a very ‘Christmas cake’ first nose with clove, cinnamon and candied fruit.

Palate: shows more peppermint on the palate with lovely red fruits, decent marked acidity and ripe ‘fresh’, i.e. light, tannins (no doubt mellowed with age).

Conclusion: Ready to drink, although will still improve. A lighter, attractive vintage.

Rating: 18/20

1990 Barolo Cerequio, Michele Chiarlo

Appearance: medium purple-red, orange rim (still has considerable colour but has a wider gradation of orange rim than the other wines)

Nose: white truffle nose – the first wine to have this truffle quality – also other mushrooms, red fruits and some perfume.

Palate: mellowed but still lean tannins with generous fruit, complex truffle flavours and great acidity.

Conclusion: this wine still needs time in my book. It’s obviously a massive vintage and it would certainly be better to drink the 1993 before this wine. Stupendous and extremely generous of Michele Chiarlo to bring this over from his personal cellar.

Rating: 19.5/20

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Interview: Michele Chiarlo in Beijing
Interview: Michele Chiarlo brings Barolo to Beijing

(see also Featured Tasting: The Wines of Michele Chiarlo including a vertical of his Barolo Cerequio)

I found Michele Chiarlo giving a class to the service staff of Aria restaurant. Afterwards we sat down and talked for an hour, joined by Giovanni Oliva (Asia Brand Manager for Grandi Vini d’Italia who represents Chiarlo in Asia) and ASC’s Cindy Jia. Chiarlo explained that his first visit to Beijing had been about 12 years ago and that his wines had been on the ASC list for some 8 years.

He likened the development of the Chinese market to that of the US or Japanese fine wine markets several years ago: with the exception that China is set to grow much more quickly in the early stages. He agreed that international wines will only make sense in this new market if they are paired with China’s many diverse cuisines and he recalled a successful wine-and-food matching dinner hosted by ASC in 2006 showing both Chiarlo’s wines and those of Umbrian producer Lungarotti; although he also confessed that it can be hard to make clear the virtues of Italian wines in general and Piemonte wines in particular to Chinese restaurant managers.

Chiarlo is from a family that has been working the Piemonte slopes for seven generations. They have vines in the Barolo, Calamandrana and Gavi zones (owning 50 hectares themselves with access to some 110 hectares overall). His son, Stefano, is currently the wine-maker working alongside oenologist Gianni Meleni. Michele himself has seen some 51 vintages, a tall, modestly dapper gentleman, equally modest in his conversation, but bursting with enthusiasm.

Chiarlo talked of the progress of the 2007 vintage: the weather was consistently mild throughout the year, although there was just enough rain when needed. Most of the grapes – even the fiendishly difficult Nebbiolo with its very long hang-time – achieved great phenolic ripeness. Average daily temperatures in August were around 30 degrees Celsius, with nightly temperatures of down to 14 degrees (ideal for preserving acidity). Whilst many of the wines will be impressive, Chiarlo was particularly excited about the Moscato harvest.

I asked about the developments he’d seen over his career in the vineyard and cellar. Chiarlo began green-harvesting about twenty years ago around 1984-5, following the innovations of Elio Altare, Angelo Gaja and Aldo Conterno. When pressed over the ‘traditionalist’ v. ‘modernist’ debate of the 1990s - basically, the choice between preserving traditional methods but making wines that are hard to drink young OR adopting new techniques to produce fruitier, softer wines for early drinking but ones which can lack varietal character – Chiarlo explained that producers had now learnt from both schools.

On Chiarlo's view old style wine-making can indeed keep varietal character but too many wines have tended to suffer from rough edges, unripeness and unruly acidity. New techniques such as ageing in French barriques (or adopting micro-oxygenation to make wines softer and more approachable) can obviously compromise varietal character and mask origin, but then the new attention to fermentation and what’s done in the cellar has reaped huge benefits. Most producers now have a composite approach.

Such observations have brought about changes in the Chiarlo cellar. Traditionally, Chiarlo used to macerate his Nebbiolos for about 35 days: now he opts for 15-16 days of skin contact to extract the best rather than the bitter tannins. But he still favours large barrels instead of barriques because of his desire to keep grape character and terroir intact.

Above all, Chiarlo wants wines of freshness, finesse and with enough concentration that they will express grape and vineyard/region exactly. He doesn’t want wines that will blow your head off or even ones that should be taken too earnestly. As he remarked: ‘drinking wine is not an exercise but a pleasure’. The question is, as Chiarlo then asked, ‘how much of a particular wine would you be happy to drink? One glass or more?’ This is the ultimate test of a wine’s appreciation.

Before the vertical tasting of his Barolo Cerequio, we turned to the characteristics of particular vintages and how Chiarlo decides on what to do each year. Generally speaking, Nebbiolo is not merely the last grape to be harvested: it also needs enough time in barrel before deciding what to do with it (age for longer in new oak or older wood, decide how much fining should be used, when to rack etc.).

Although, Barolo is famed for its longevity, Chiarlo insists that certain vintages have been hyped: although 2000 was a good year, for example, he would not agree with Wine Spectator’s 100 point award for the vintage (‘Perfection in Piemonte’ ran the header). Like many Piemonte producers, he prefers 2001. 1996, 1999 and 2001 are all high-quality Barolo years for the long haul. 2004 also looks to be very strong, but the excessive heat of 2003 will not, generally, give long-lived wines. The early 1990s were difficult with only 1993 pulling some weight in terms of quality and ageability; although many 1993s are essentially ready. The dreadful weather in 2002 also forced Chiarlo not to make any Barolo or Barbaresco, a difficult decision but an honest one. This integrity is reflected in the overall quality and purity of the Chiarlo range.

(see also Featured Tasting: The Wines of Michele Chiarlo including a vertical of his Barolo Cerequio)

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Featured Tasting: Top Cellar European Classics
Top Cellar offered another free tasting at their Amigo delicatessen and shop shared with Bento & Berries in the Kerry Centre. The wines were from various producers and were intended to be European Classics. All were imported by Top Cellar directly.

Sébastien Lézier of Winpact gave a short introduction to the wine accessories his company has put together for Top Cellar: two types of corkscrew (both ‘waiter’s friend’ design), two wine-pourers, Champagne stopper and the usual coolers and freezer cooler packs.

Wines tasted:

2004 Schloss Gobelsburg Riesling Urgestein, Kamptal, Austria

Appearance: medium gold yellow.

Nose: intense lime fruit, some minerality, hints of kerosene.

Palate: generous lime, pleasant acidity and good length.

Conclusion: we haven’t drunk much Austrian Riesling – Grüner Veltliner seems to have stolen some of the limelight internationally – but this has always been a very important and noble Austrian grape. This seemed to be a good expression, at least of Riesling.

Rating: 17/20

2004 Schloss Gobelsburg Zweigelt, Kamptal, Austria

Appearance: light to medium red-purple.

Nose: mostly red cherry fruit, possibly raspberry too.

Palate: light red cherry fruit, very low tannin, pleasant medium acidity, shortish length.

Conclusion: Zweigelt was created in the 1920s by Fritz Zweigelt, a hybrid of Blaufränkisch and St. Laurent. It ripens early and can withstand winter frost, so it’s easy to see why it might be popular with winemakers in Canada as well as Austria. Generally speaking, Zweigelt (Austria’s most planted red grape) is going to make light reds for quaffing. This was that, although no doubt someone is making more serious Zweigelt somewhere.

Rating: 15/20

1999 Vina Amezola Rioja Reserva

Appearance: medium purple-red, orange rim.

Nose: classic American oak nose but in an obviously aged and mellowed state with raspberry, strawberry and red cherry fruits.

Palate: pleasant fruit, decent oak, tannins slightly coarse, pretty good length.

Conclusion: certainly characteristic Rioja, but a bit disappointing at Reserva level.

Rating: 16/20

2003 Château Ducluzeau, Listrac

What used to be a called a ‘Cru Bourgeois’, this property is owned by the Borie family.

Appearance: medium purplre-red colour, clear rim.

Nose: warm red and black fruits from the 2003 heat, French oak.

Palate: mixture of red and black fruits, slightly coarse tannins, medium acidity, okay length.

Conclusion: not bad Claret if red Bordeaux at this level is your cup of tea. Not exciting.

Rating: 16/20

2003 Il Volano, Toscana IGT (Il Molino di Grace)

Appearance: medium purple-red, clear rim.

Nose: appealing tart red cherry fruit with touch of spice.

Palate: nice plucky Sangiovese tannins, the acidity you’d also expect, cherry fruit.

Conclusion: we couldn’t actually find this wine on the Il Molino di Grace website, but apparently it is 65% Sangiovese with the remainder a range of other grape varieties. Pleasant, easy-drinking Tuscan IGT.

Rating: 16.5/20

2003 Chianti Classico, Il Molino di Grace

Appearance: deep purple, clear rim.

Nose: ripe black cherry fruit, discernible but integrated oak, some clove and cinnamon spice.

Palate: lovely chewy not too astringent tannins, pretty good acidity for the difficult 2003 vintage in which the sheer warmth made attaining decent acidity a problem, lovely fruit and good length.

Conclusion: impressive Chianti Classico. Very drinkable. Approachable now, but will age.

Rating: 17.5/20

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1999 Barolo, Mauro Molino
1999 Barolo, Mauro Molino

Appearance: purple-pink, bricky rim.

Nose: a very Nebbiolo nose (red and black cherry fruit, spice, tar, rose petals, perfume), good use of oak.

Palate: lovely perfumed fruit; firm, spiky but also rounded tannins, excellent acidity, and commanding length.

Conclusion: absolutely stunning. This is a modernist wine showing great purity of fruit. In some ways I liked this wine even more than the more traditional G. D. Vajra 1999 Barolo enjoyed on 15th October 2005. But both are excellent wines.

Rating: 18.5/20

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1999 Barolo Bricco delle Viole, G. D. Vajra
1999 Barolo Bricco delle Viole, G. D. Vajra

Appearance: medium red-purple in colour, some orange to the rim.

Nose: red cherry fruit with marzipan, game stock (some rich meat/vegetal flavours at least) and floral notes; a little spice from the oak here too. Delicate.

Palate: mellowed, prickly medium tannins, high balanced acidity, highish alcohol, good use of oak and lovely spicy fruit. Excellent length.

Conclusion: very good indeed. Ready to drink but could improve. A wonderful expression of Barolo.

Rating: 18.5/20

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1999 Rodney Strong Pinot Noir, Russian River Valley, California
1999 Rodney Strong Pinot Noir, Russian River Valley

Appearance: medium to deep purple, slight brickiness.

Nose: good Pinot nose with marked red cherry fruit; quite alcoholic but still pleasant, some clove and cinnamon from the oak.

Palate: good acidity, nice length, high alcohol but balanced with good oak and supple lowish tannins.

Conclusion: far better than expected, but only because we've had some pretty dreadful – and dreadfully overpriced – Californian Pinot Noir (the best wines probably don't leave the state). Russian River Valley is supposed to be a decent region for Pinot. Ideally, this should be enjoyed now, but might benefit from some further short-term ageing.

Rating: 17.5/20

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1999 Yering Station Pinot Noir, Yarra Valley, Victoria, Australia
1999 Yering Station Pinot Noir, Yarra Valley

Appearance: light purple red with orange tinge.

Nose: lots of truffles and mushrooms, some red cherry fruit, some spice (white pepper) and mellowed oak.

Palate: decaying fruit, lovely acidity and alcohol here, low to medium softened tannins and good length.

Conclusion: this was really good, even although 1999 was not supposed to be a great year in the Yarra Valley. Certainly drinking well, but with some age ahead. Decent mid-range Australian Pinot Noir.

Rating: 17/20

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